Jukti Takko aar Gappo & the ‘close-up’ kathā: Ritwik Ravivār – 11 by Amrit Gangar.
NEELKANTHA (SIVA) IN HIS LAST MOMENTS UNITES WITH DURGA, HE HAD ALREADY HAD AN ENCOUNTER WITH A YOUNG MILITANT. Image: a screenshot by...
a division of barking dog films
Jukti Takko aar Gappo & the ‘close-up’ kathā: Ritwik Ravivār – 11 by Amrit Gangar.
Komal Gandhar & the‘close-up’ kathā: Ritwik Ravivār – 10 by Amrit Gangar.
Shyam Benegal & Smita Patil's best perhaps:O.P. Srivastava takes a look at Bhumika(The Role).
Subarnarekha & the ‘close-up’ kathā: Ritwik Ravivār – 8 by Amrit Gangar.
A restless mind in search of new film forms, of magic: D.G. Phalke by Amrit Gangar.
O.P. Srivastava takes us on a trip on Awtar Kaul's fantastic, 27 Down.
Meghe Dhākā Tārā and the Close-up Kathā: Ritwik Ravivar- 7 by Amrit Gangar
50th year of Garm Hawa & 50 years without Balraj Sahni- a homage by O.P. Srivastava
Meghe Dhākā Tārā and the Close-up Kathā: Ritwik Ravivār-6 by Amrit Gangar
ĀMĀR LENIN & the ‘Close-up’ Katha: Ritwik Ravivar – 5 by Amrit Gangar
NAGARIK & the 'Close-up' Katha:Ritwik Ravivar-4 by Amrit Gangar
KOMAL GĀNDHĀR & the ‘Close-up’ Katha: Ritwik Ravivar – 3 by Amrit Gangar
Ajantrik & the 'close-up' katha: Ritwik Ravivar-2 by Amrit Gangar
THE ‘CLOSE-UP’ KATHĀ: RITWIK RAVIVĀR – 1 by Amrit Gangar
Jogan, a film which sets Dilip Kumar apart by Sharad Raj
Decoding the Uttam-Suchitra chemistry by Satyabrata Ghosh
Bengali Cinema – A Middle Way to Tread by Satyabrata Ghosh
Ballavpurer Roopkatha: a director in charge by Satyabrata Ghosh
On watching Ponniyin Selvan at a Critical Time by Satyabrata Ghosh
"Ab yeh tala main teri jeb se chaabi nikaal kar hi kholunga,”Amitabh's gems listed by Sharad Raj
Figuring out Chaddha from Gump: an attempt to compare and contrast by Satyabrata Ghosh
The Curious Case of Sharmaji Namkeen
The uphill struggle to adulthood: A critical analysis of "Bulbul Can Sing" by Dipankar Sarkar
Binisutoy: Imagination as the fodder of existence. An analysis by Dipankar Sarkar
Homecoming : 21 years of Rituparno Ghosh’s ‘Utsab’ by Satyabrata Ghosh
The Hitchcock influence on Bollywood, according to Khalid Mohamed
On our actors who touched the zenith of greatness, by Khalid Mohamed
Malayalam cinema: shifting paradigms by Sulochana Ram Mohan
From disillusionment to anger: a tale of two Vijays by Sharad Raj
Raj Khosla, the director of all seasons, by Khalid Mohamed
The Uncompromising Vision of Mani Kaul, by Khalid Mohamed
Khalid Mohamed revisits Ismail Merchant & James Ivory's Shakespeare Wallah
A forgotten legacy: Cinema through the eyes of a painter by Khalid Mohamed
Kishore Kumar & the magic of Chalti Ka Naam Gadi by APS Malhotra
Indian New Wave for the Millennials by Surendar Chawdhary
Celluloid-a befitting tribute to JC Daniel, the father of Malayalam cinema writes Nadira Cotticollan
Shakespeare and Assamese Parallel Cinema: by Parthajit Baruah
Adil Hussain: the uncrowned czar of independent cinema by Sharad Raj
In the realm of the status quo-the films of Puttanna Kanagal by Ramchandra P N
Punit Posts Posters: Cinema down the years part 3.
Guernica never moved me:-Nadira Cotticollan discusses Shyamaprasad's Malayalam film, Artist.
Punit Posts Posters: Indian films down the years, Part 2
Punit posts posters: Indian films down the years.
Chiriakhana: Satyajit Ray ventures into the detective genre. Dipankar Sarkar revisits the film
Filmmaker Anup Singh celebrates Ray's 100th, with a view from Punjab
Irrfan and that phone call in "The Namesake" by Sharad Raj
Rafey Mahmood and the tale of two "mohallas": Ankhon Dekhi & Pagglait
SAHIR- THE ENIGMATIC MAGICIAN by Shrikant Mahiarya
Amitabh & I
Melody in film: the Hindi film song as a cultural product – Part II